We are going to paint seascape from Venice with gondola, waves, reflections, seagulls and marine atmosphere.
The author of the course Julia Barminova speaks English on video without subtitles.
What is this course about?
This fascinating feeling, when a bit of watercolor paint of different saturation and shade become something bigger on the white paper.
By having heard the watercolour technique from easy concepts to the hard ones, by painting your own sea, after workshop my students can look at the watercolor sea paintings with the understanding of HOW exactly it is done.
Step by step approach
Even though the majority of my paintings have boats and another port life on them, all my watercolors are about water. Water is the center of everything and the most important and complex object, I always give it all my main attention and draw it first.
If you look closely, you will see that long before the the boat appears, the whole sea will be painted inside and out. Then I continue - the reflection is the next step, then the boat, its details and the distant plan. This procedure helps me concentrate on the most important thing and to have a luxury of losing attention just a little closer to the end, in order to make the distant plan aerial and the water as real as possible.
The Secret of reflections
To comprehend all the subtleties of the reflection of objects in the water, you need to think about that the water is constantly moving. It changes every second. If you watch reflections dance on the surface, you will notice that although they change, some things are permanent. These are, for example, a change of tone close to the horizon and right in front of you. There are different shades of colors, the relationship between dark and light elements. This is my secret of the image of water – to understand what is constant and what is not. I don’t experiment with what is always there, I try to convey it as it is, and I allow myself to play with moving parts
What is inside?
– Introduction of the materials, choosing paper, brushes and paints;
– Analysing the important watercolour aspects, which are necessary for depiction of water using the technique La Prima;
– Several levels of gradation of the sea complicity; variety of reflections, search for light and contrasts.
– What you should pay attention to, when choosing the subject and how to look for the life model in the port and the seaside.
– Actual use your new skills and step outside of just knowing the theory
– Watercolor work in “Seascape”genre in 4 parts: waves, reflections, glare and details.
What is Lectoroom?
Lectoroom is a unique online school of painting, drawing and illustration. Based on the author programs of the teachers with whom we cooperate, here you will learn a lot of new things in different techniques. When, where and how much. It's all online.
You have access to videos courses 24/7.
Introduction to the materials: choosing paper, brushes and paints
Working with palette
Drawing a boat
• Phthalo Blue PB15
• Phthalo Green PG7
• Cadmium Orange PO20
• Gamboge PY150/PO48
• Indanthrone Blue PB60
• Cobalt Blue PB28
• Quinacridone Rose PV19
• Neutral Tint RBk6/PV16
Mix of Phthalo blue PB15 and Phthalo green PG7 forms my basic color for the Sea. If I want something warmer I add cadmium orange and gamboge. If my sea should be darker I use Indanthrone blue and sometimes Quinacridone Rose or Violet for deep blue color.
Colors that I absolutely dislike: Сobalt turquoise light, Indigo, Cerulean blue, Ultramarine, Cobalt green, etc… because of an effect of the granulation.
Reviews of author`s courses
I really loved it! Soooo many details, soo beautiful and useful! The only part where I wish the process was not cut is when Julia paints the waves, as a fundamental step and I have the feeling in some parts there were tiny little details missing of how she did it. But overall I have loved it and I am looking forward to trying it over and over again!
Just a bit more indication on how wet the paper is supposed to be would have been welcome :) the rest is perfect. Thank you! I love the restult :)
Julia's explanations were very helpful for understanding how to paint the sea. I had the wrong paper (no 100% cotton), but I'm happy with the first result though. I'm curious how my paintings will look when I have bought 100% cotton paper. Thank you very much!
I really liked how Julia explained her painting - it was very useful for my own painting, I am very happy with it. Thank you very much.
Julia explained everything really nice and I had some mind-blown moments when I thought "oh this explains a lot, why I don't like some of my paintings" because I didn't thought much about contrasts of colors before. But now I will :) It was a bit difficult to read the english subtitles and watch Julia painting simultaneously, but it worked with stopping the videos and going back.
Very clear instruction on the techniques and colour mixing. Really enjoyed painting along!
I was so use full for me, I knew new opprouch
Wonderful course thank you so much!
Very kind and charming instructor, excellent explanations, easy to follow. I especially liked the preparatory exercises to understand the specific watercolor technique Julia Barminova is using.
Julia Barminova explains very well her technique , very good course, thank you
excellent course with very good and comprehensible explanations
Very beautiful and helpful course, love it. Thank you Julia!
Julia Barminova is the best teacher and I love her style very much. Hope there will be much more courses from her, for example painting lanterns or buildings :-)
I like this course with a lot of details with the colours and the sketch. I didn't know that we can draw the reflections on the sea !
Clear instruction provided at a manageable pace.